Series Created by

Rosalyn Hunter & Terry Hancock

Character Design by

Daniel Fu

(With the Voices of)

Karrie Shirou

Ariel Hancock

William Roberts

Lex Quarterman

Paul Birchard

Veronika Kurshinskaya

and

Sergei Oleinik

as

Maj. Sergei Titov

It’s hard for me to decide on any order for the principal actors, as their roles are meant to be quite balanced in the series.
This order is mostly by order of appearance, and also reflects the size of the parts in this pilot episode — except for
Oleinik who is credited last and more-specifically as this is really a “guest” role in this one episode.

I’ll probably re-think this when we prepare the credits for the rest of the series.

Featuring Music by

Elaine Walker

J. T. Bruce

Butterfly Tea

Additional Music by

Insignificance	Lulo	Mattias Westlund
Miguel Herrero	J.M.F.	Walter Well
Gotika	Distemper	Fridance
Yunus	Alone in the Chaos	A.K.1974

Animatic by Terry Hancock

including…

Synfig Animations by Timothee Giet

Sketches by Terry Hancock

Videos from NASA

Photos from NASA & RosCosmos

It’s possible that I should add an additional credit for Daniel Fu here since I used a lot of his concept art to “sweeten”
my sketches in this version. I may add that later, but he is already credited above, of course. Also, he might not want to
be associated too-closely with my clumsy mixing of the art with the sketches! Sorry about that.

3D Set & Prop Models created by

Vyacheslav Yastrebcev

Cosmin Planchon

Gorka Mendieta

Guillaume Cote

Sathish Kumar

3D Character Models by

Andrew Pray

“No Children in Space” Written by Terry Hancock & Rosalyn Hunter

Melodee M. Spevack	Karen Jagger
Sophie LeNeveu	David Jordan
Kristina Ponomarenko	Jami Cullen

Screenplay by

Terry Hancock & Rosalyn Hunter

Russian Translation by

Konstantin Dmitriev

Veronika Kurshinskaya

Sergei Oleinik

Japanese Translation by

Miki Kuroki

Produced & Directed by

Terry Hancock

Executive Producers

Your Name Here

We will be offering an “Executive Producer” credit as a high-end reward on our Kickstarter.
“Executive Producer” is a somewhat honorary title in film-making — it usually means someone
who has contributed significantly to the money, but not someone with creative control. As you
may know, rewards can’t include equity and this one doesn’t include profit-sharing from the
project, so it really is just honorary. We may consider other options outside of our fundraiser, though.

Special Thanks to

ESA Astronaut Samantha Cristoforetti

Mark Wade’s Encyclopedia Astronautica

NASA

USGS

RosCosmos

ESA

Artemis Society International

Lockheed-Martin

Boeing

The Moon Society

Space Frontier Foundation

National Space Society

For Research Publications & Reference Material

Some specifics: Cristoforetti’s photo-documentation of her Soyuz and Sokol training was extremely useful in resolving questions
about the Russian space equipment, which is often hard to find documentation on (especially in English). She also answered a few
specific questions about the layout of the trainer and the actual Soyuz spacecraft.

Mark Wade’s Encyclopedia Astronautica is likewise a great resource on Russian and Soviet hardware as well as many
“spacecraft that never were” which were useful in considering new designs for Lunatics.

ESA of course, paid for Cristoforetti’s training, without which we wouldn’t have her great photos.

NASA, USGS, and RosCosmos all provide a lot of photographic and video information under suitably-free license terms (the situation with RosCosmos
is more-poorly documented, but appears to be compatible with “CC By”, the US government information is “copyright free” by federal statute). The
main limitation on this information is with personally-identifiable information that might be interpreted as an endorsement — that’s part of
why all the astronaut’s faces are blurred out in the video, although it’s also because they are just placeholders/stand-ins for our characters.

Lockheed-Martin and Boeing have published a number of engineering papers about moon transportation and long-term fuel storage that I consulted
in designing the Lunar Transportation System.

The whacky “flop-down” landing system for the LTS was inspired by one of Artemis Society International’s lunar-hotel design studies.

The “alpha-town” vision for the future of the International Space Station (and why we refer to it as “Alpha” in the show) is due
largely to articles published by the Space Frontier Foundation.

The Moon Society is the current host of the “Moon Miner’s Manifesto” and other material about lunar colony construction and design.
It was a past article from this publication that suggested the idea for the periscope-like “Earth windows” in the ISF-1 colony. The National
Space Society is credited for general space advocacy and many of the people I have met in the community.

All of these space organizations are real-life models for how the “International Space Foundation” itself might function, although it is
obviously highly-fictionalized.

Naturally, these are only a few of the most important materials we looked at in the art design and conception of Lunatics.