This is an open-source project, so anyone who wants to access the data we produce will be able to get it in time (certainly before next Summer). Anyone backing this Kickstart (at any level) will receive notification and a site to download this data as a package (probably a single large ZIP file, or possibly several smaller ones) available for download on April 12, 2012 (“Yuri’s Night”). We’ll publish this link publicly sometime after that. Of course, all of the backers will be credited in the dataset as well.
Today I finished the first of the digital ink & paint portraits based on Daniel Fu’s character concept art. This is not the final art we are creating for this Kickstart, but it is the artwork that will appear in high resolution on the “Concept Art Poster” we are offering at the $15 level, to be delivered right after the Kickstart finishes, in December. A lower resolution version (similar to this image) will appear on the “Characters” page . to replace the existing silhouette images.
This is getting a little ahead of ourselves, but we thought it would be a fun extra to share with you all. This is a bit of dialog that Rosalyn wrote for the 2nd episode of Lunatics, to be called “Earth”. This is our own performance of the dialog, although we’ll probably have real voice actors re-record the scene for the final episode. This gave us a chance to test out our recording equipment and technique. We have a little bit of a room acoustics problem, but otherwise it worked out quite well. I have an idea for an acoustic panel made from cardboard that may improve the ambiance considerably.
As you can see from the widget on our front page, we have just launched our Kickstarter campaign to fund pre-production artwork development for the series. This includes the character design and model sheets, the set plans, and plans of the vehicles that appear in the pilot episode, “No Children in Space”. It will also support Rosalyn Hunter in making final revisions to the script.
We’re getting everything ready to star our first Kickstarter campaign. This will cover pre-production artwork some 3D modeling necessary for the pre-production phase, and an animatic of the pilot episode with a temporary soundtrack.
This week I learned a lot of new thing about modeling in Blender — basic stuff like how to properly use edge loops and how to set up path-based animations. And I created a nice fly-around video of my LTS Shuttle model.
This week we’ve started get character design concepts from Daniel Fu. I’ve also been working on modeling the Soyuz “Transporter-Erector”, which will appear early in the pilot episode.
This week we’ve started working on initial character designs with character designer, Daniel Fu, of “Daystorm Productions”. Daniel is the author of a webcomic series, “The Retriever” and has an excellent portfolio. Daniel was my first choice o this project, because I’ve worked with him before, because he has a lo of artistic range, and because his designs have a good sense of volume and 3D form, which will be essential for our designs which will be modeled in 3D.
First weekly progress report: Google Group for project discussion. Also: positive response from a character designer, and technical development is proceeding on some important packages for animation.
After a few days work and weeks of procrastination and fretting, the Lunatics website is finally starting to make some sense and become quasi-functional. Yea!
