Tag: animation
HIGHLIGHTS: Architecture concepts for KitCAT. Renaming Anya Titova’s satellite company. Filed Personal Income Tax. Project management tools…
HIGHLIGHTS: Sylvan came on to help with system administration. Re-rigging Soyuz Launchpad Mech. Announced plans to release…
Highlights Scare about Patreon changing their terms (But then they backed down). Helped Morevna project test their…
Highlights Lots of animation blocking this month. Re-rigged the controls for the Soyuz Interior set, including controls…
In our pilot episode, we have a montage in which Georgiana and Hiromi go through some of…
Highlights: Keneisha demonstrated a skeletal face rig on her original character, suggested we use the same rig…
Wow. This week, I’ve started animating We’ve had some nearly-final shots for awhile — the “Earth in Space” shots, but those were kind of trivial. I’m now working on a complex “real” shot for the first time. It’s a particularly tough one close to the beginning of the Pilot (and the “Prolog” and the “Preview” based on the Pilot). I’ll go into some detail on the construction of this shot i our Patreon “Patron Newsletter” this month.
New video up with visual-style and animation tests for “Lunatics!” exterior shots.
There are several factors we have to balance in coming up with a style of animation and rendering for “Lunatics!” You might think that 3D animators should always try for maximum realism (“photorealism”) when making animation, but this is not necessarily a good idea. First of all, the human eye is extremely good at spotting errors in photorealistic renderings and especially in animation. This is the basis of the problem known as the “uncanny valley effect”: if you have extremely photo-accurate models and renderings of characters, then even the slightest error in movement creates a disturbing “creepy” effect. Such animations are often described as “zombie-like” or “doll-like”. This is because we are very sensitive to tiny differences in the way real people move.
Although we didn’t quite succeed with our attempt to fund the voice recording on “No Children in Space” and “Earth”, we were able to proceed slowly anyway, and completed a basic animatic for “No Children in Space”, with voices and soundtrack. We’ve also, since then, been joined by mech modeler Chris Kuhn and new character modeler Bela Szabo, who are already working on models to finish production of “No Children in Space”.
We have just switched over to a smalle Kickstarter campaign to fund just the production of the voice cast (with sound effects, foley sound, and music) and a 2D animatic created by Timothée Giet based on storyboards by Terry Hancock. Find it here: http://kck.st/RTCwZs
We are pleased to announce our core team of seven very talented artists for modeling, rigging, and animation: Andrew Pray, Cosmin Planchon, Guillaume Côté, Sathish Kumar, Vyacheslav Yastrebcev, Timothée Giet, and Gorka Mendieta. They will be working on the “teaser trailer” for “No Children in Space” and some animation tests, all of which will be released during our Kickstarter campaign (which launches THIS FRIDAY – JULY 20TH – “MOON DAY”).